Edwards, Kennedy, Bozeman, Messing

  • Season 4, Ep 0408
  • 01/25/2001

"PREMIUM BLEND" HAVE ASKED ME

TO COME OUT AND DO A LITTLE

DISCLAIMER.

IT APPEARS THERE'S BEEN A LITTLE

CONFUSION WITH THE NAME,

"PREMIUM BLEND."

SO HERE'S THE LITTLE DISCLAIMER

I'VE GOTTA DO.

♪ "PREMIUM BLEND,"

♪ IT'S NOT A GASOLINE

♪ "PREMIUM BLEND"

♪ IS NOT A GASOLINE

♪ SO DON'T TAPE

♪ "PREMIUM BLEND"

♪ ON YOUR VIDEO MACHINE

♪ AND TRY TO STUFF

♪ THE VHS TAPE

♪ INTO YOUR CAR BECAUSE

♪ IT MIGHT WRECK YOUR ENGINE

♪ AND THE PRODUCERS

♪ ARE NOT RESPONSIBLE

♪ "PREMIUM BLEND,"

♪ IT'S NOT A COFFEE BEAN

♪ PREMIUM BLEND

♪ IS NOT A COFFEE BEAN

♪ SO DON'T TAPE

♪ "PREMIUM BLEND"

♪ AND TRY TO DRINK IT

♪ BECAUSE THE VIDEOTAPE

♪ MIGHT UNWIND

♪ IN YOUR INTESTINE

♪ AND YOU'LL END UP

♪ TAKING A TWO-HOUR POO

♪ UNLESS YOUR STOMACH

♪ IS ON SLOW SPEED,

♪ IT'LL BE A SIX-HOUR POO

♪ AND THE PRODUCERS

♪ ARE NOT RESPONSIBLE

♪ "PREMIUM BLEND,"

♪ IT'S A COMEDY SHOW

♪ SO LAUGH AND GIGGLE

♪ AND GIGGLE AND LAUGH

♪ AND LAUGH AND GIGGLE

♪ TILL THE LITTLE BLOOD VESSEL

♪ POPS IN THE BACK OF

♪ YOUR BRAIN

♪ AND YOU FALL ON THE GROUND

♪ AND YOUR EYES ROLL BACK

♪ IN YOUR HEAD

♪ AND BLOOD STARTS

♪ FOAMING OUT OF YOUR NOSE

AND YOU HAVE GIANT SEIZURES

AND YOU DIE A MISERABLE DEATH,

♪ BUT THE PRODUCERS

♪ ARE NOT RESPONSIBLE

(CHEERS AND APPLAUSE)

WELL, LET'S GET THIS

WHAT'S UP, YA'ALL?

YEAH.

ALL RIGHT, COOL.

YA'ALL STARING, ALL RIGHT, YEAH.

OKAY, I, YEAH, I'M HERE FROM,

UM, FROM BROOKLYN, NEW YORK,

AND, UM--

(AUDIENCE CHEERS)

HEY, WHAT'S UP?

UM, CAN I GET A RIDE?

NAH.

UM, YEAH, UM, I'M USED TO PEOPLE

BEING REAL JUDGMENTAL.

SO UM, BUT LET ME CLARIFY.

LOOK, I KNOW I HAVE A LITTLE

AFRO ON MY HEAD, ALL RIGHT?

YOU KNOW, YOU DON'T PASS

JUDGMENT ON ME.

SOME OF THE WHITE GUYS GET

NERVOUS LIKE, "ARE THE BLACK

PANTHERS COMING BACK THIS YEAR?"

(LAUGHTER)

AND IT'S FRUSTRATING, TOO,

BECAUSE YOU KNOW, I HAVE AN AFRO

AND I TELL JOKES, BUT I'M A

COMEDIAN.

YOU KNOW, HALF THE TIME I GET ON

STAGE, PEOPLE THINK I'M A BUS,

I'M LIKE---

♪ UH, OOH!

THAT'S ACTUALLY WHY I GREW

MY HAIR OUT.

YOU KNOW, IT'S AN ODE TO MY MAN

MICHAEL JACKSON.

THAT'S MY HERO RIGHT THERE,

YOU KNOW, RIGHT THERE, YEAH.

(AUDIENCE CHEERS)

'CAUSE I JUST WANT PEOPLE

TO KNOW WHAT HE'D LOOK LIKE IF

HE WAS STILL BLACK, YOU KNOW,

'CAUSE I WANTED TO BE--

WHEN I WAS YOUNGER, YOU COULDN'T

TELL ME--

I WANTED TO BE MICHAEL.

I WAS LIKE, YOU KNOW,

MY FRIENDS, THEY WERE LIKE,

"I WANT TO BE A DOCTOR,

I WANT TO BE-- I WAS LIKE,

"I WANT TO BE MICHAEL JACKSON,"

UNTIL HE TURNED INTO A WHITE

WOMAN.

THEN I SAID, "YOU KNOW WHAT?

I CAN'T DO THIS."

(LAUGHTER AND APPLAUSE)

I HAD A LOT OF ASPIRATIONS.

I WANTED TO BE A RAPPER.

BUT NOW THEY'RE JUST ANGRY.

THEY HAVE ANGRY ANTHEMS.

WITH THEIR WHOLE SONG,

THEY JUST CHASTISE,

"WHAT? WHAT? WHAT? WHAT?

WHAT? WHAT? WHAT? WHAT?"

YOU'RE LIKE, "LOOK, MAN,

I DIDN'T ASK YOU ANYTHING.

OKAY?

CALM DOWN.

LEAVE ME ALONE!

I'M GOING BACK TO MY

BARRY MANILOW CD'S."

IT'S MAD.

(LAUGHTER)

SEE ALL THESE COUPLES IN HERE,

THIS IS CUTE.

I'VE, UH, I'VE BEEN WITH MY LADY

OVER FIVE YEARS, MAN, OVER FIVE.

(CHEERS AND APPLAUSE)

THAT'S ALWAYS FUNNY WHEN I SAY

THAT 'CAUSE WOMEN SMILE AND

APPLAUD.

FELLOWS LOOK AT YOU LIKE YOU'RE

A PRISONER OF WAR, "DAMN."

BUT IT'S--

NO, IT'S--

IT'S COOL 'CAUSE, FELLOWS,

LET ME EXPLAIN SOMETHING.

WHEN YOU SETTLE DOWN WITH

A WOMAN, YOU SAVE MORE MONEY.

IT'S MORE ECONOMICAL.

ALL YA'ALL FELLOWS OUT THERE

PLAYING THE DATING GAME,

LET ME EXPLAIN.

THE DATING GAME IS LIKE

INVESTING IN THE STOCK MARKET.

YOUR BROKERS, YOU'RE CONSTANTLY

INVESTING TIME, ENERGY, MONEY,

INVESTING.

YOU WANT TO SEE RETURN ON YOUR

INVESTMENT.

SOME OF YA'ALL OUT THERE DATING

TWO AND THREE DIFFERENT WOMEN.

THAT'S LIKE INVESTING IN MUTUAL

FUNDS.

BUT THE PROBLEM LIES IN THE FACT

THAT THEY DON'T KNOW HOW TO PULL

OUT BEFORE THE MARKET CRASH.

THAT'S WHERE THEY LOSE OUT.

YOU GOTTA BE WISE.

YOU GOTTA BE SMART.

THINK ABOUT IT.

A SIMPLE DATE USED TO BE LIKE

TAKE A GIRL OUT TO THE MOVIES,

RIGHT?

IT USED TO BE PERFECT 'CAUSE

YOU'RE LIKE, "OH, THAT'S NOT

EXPENSIVE."

BUT HAVE YOU--

HAVE YOU BEEN TO THE MOVIES

LATELY, THOUGH?

HAVE YOU ALL BEEN TO THE MO--

$9.50 A POP IN NEW YORK CITY,

NINE FIF--

THAT'S 19 DOLLARS.

NINETEEN, LADIES, LET ME

EXPLAIN, IF I SPEND 19 DOLLARS

ON A FIRST DATE, THAT AIN'T

A FIRST DATE NO MORE.

THAT'S A COMMITTED RELATIONSHIP.

SO I LOVE YOU, I LOVE YOU.

SHOOT, SECOND DATE, I'M GONNA

ASK YOU TO MARRY ME.

WITH MOVIES, YOU SHOULD NOT HAVE

TO APR FINANCE TICKETS TO GET

IN THE MOVIE.

(LAUGHTER)

AND THEN YOU, YOU KNOW, WOMEN,

YA'ALL LIKE TO CUDDLE.

MY GIRL, SHE LIKES TO CUDDLE

AND TALK AND KISS AND HUG.

AT NINETEEN DOLLARS A POP,

WE PAYING ATTENTION TO

EVERYTHING THAT'S HAPPENING

ON OUR SCREEN.

THERE AIN'T NO INTERRUPTIONS.

EVERY TIME SHE'S LIKE, "GIVE ME

A KISS," I'M GRABBING THAT GIRL,

"WATCH THE MOVIE."

PAY ATT--

"WATCH THE MO--

YOU KNOW, GET YOUR NUMBER TWO

PENCIL OUT 'CAUSE I'M GONNA QUIZ

YOU WHEN THIS MOVIE'S OVER."

IT'S TOO EXPENSIVE.

SO, THAT'S THE BEST THING ABOUT

BEING IN LOVE.

YOU CAN SPLIT THE BILL.

BUT I WILL SAY THIS, YOU KNOW,

THE LAST THING I SAY, FELLOWS,

IS THAT YOU DON'T WIN ARGUMENTS

WHEN YOU SETTLE DOWN WITH A

WOMAN.

YOU'RE NOT GONNA WIN ANY MORE

ARGUMENTS.

WOMEN REMEMBER EVERYTHING.

YA'ALL--

YA'ALL REMEMBER.

MY GIRL KNOWS STUFF ABOUT

ME THAT I DON'T KNOW.

AND THEY REMEMBER--

AND THEN THEY CUT DEEP.

THEY ALWAYS FEEL LIKE THEY CAN

CUT DEEP.

YOU KNOW, MY GIRL, SHE CUTS

DEEP.

SHE'S LIKE, "YOU DON'T PAY

ENOUGH ATTENTION TO ME, DEAN.

YOU DON'T LISTEN.

YOU DON'T PAY ENOUGH--"

"HUH?"

"SEE, THAT'S WHAT I'M SAYING.

YOU'RE NOT PAYING ENOUGH

ATTENTION TO ME.

YOU DON'T LISTEN.

YOU DON'T--

YOU HAVE ATTENTION DEFICIT

DISORDER."

"WHOA!

YOU KNOW, ATTACK MY CHARACTER,

DON'T INFLICT ME WITH A MENTAL

DISORDER."

"NO, YOU KNOW WHAT?

AND ONE DAY, YOU'RE GONNA HAVE

ALZHEIMER'S DISEASE."

"WHOA!

OH, SO WHAT?

ADD AND AD, WHAT, I'M A ROBOT,

A2D2?

MAKE UP YOUR MIND.

NO, NO, PLUS, NO, NO, NO.

YOU'RE NOT GONNA WIN THIS TIME,

NO.

YOU CAN'T-- I CAN'T GET

ALZHEIMER'S DISEASE IF I ALREADY

HAVE ATTENTION DEFICIT

DISORDER."

"WELL, WHY NOT?"

"WELL, PUT IT THIS WAY.

HOW CAN I FORGET STUFF IF I

AIN'T EVER PAID ATTENTION TO IT

IN THE FIRST PLACE, HUH?"

HEY, I'M DEAN EDWARDS.

♪ (MUSIC PLAYS)

IT'S GOOD TO BE HERE.

MY NAME'S ANDREW KENNEDY.

I'M ORIGINALLY FROM BOGOTA,

COLUMBIA.

(AUDIENCE CHEERS)

ALL RIGHT!

I KNOW I DON'T LOOK HISPANIC.

PEOPLE DON'T POINT TO ME AND GO,

"MIRA, QUE LATINO SE VE EL.

EL SE VE TAN LATINO.

MIRALO!

SE VA LATINO COMO

MARC ANTHONY."

THERE'S AN EXPLANATION.

MY MOTHER'S COLUMBIAN,

MY FATHER'S ENGLISH.

NOW, I'M NOT A GENETICS EXPERT,

BUT APPARENTLY, MY MOTHER'S DNA

WAS COKED UP AND PARANOID WHEN I

WAS BEING CREATED 'CAUSE I LOOK

WHITE.

I SPEAK SPANISH.

LATINOS, FOR THE FIRST TIME,

THEY STARE AT ME LIKE THE DOG

SPOKE.

(LAUGHTER)

MY FATHER'S A FUNNY DUDDY

ENGLISHMAN.

HE'S TALLER, HE'S GOT GLASSES,

YEAH.

IT CAME FROM SOMEWHERE,

YOU KNOW.

BUT HE'S LIKE--

HE'S FUNNY DUDDY.

YOU KNOW, HE'S LIKE MR. MAGOO

WITH AN ATTITUDE PROBLEM.

AND HE'S VERY--

THE WHOLE REVOLUTION STILL

BOTHERS HIM, YOU KNOW.

HE BELIEVES HIS JOB IS TO TELL

EVERYBODY IN THIS COUNTRY THAT

THE REVOLUTION COULDN'T HAVE

BEEN WON BY THE COLONIAL FORCES,

HAD THE BATTLES BEEN BASED ON

GRAMMAR, JUST BASIC USE OF THE

ENGLISH LANGUAGE.

IN FACT, HE HAD A PROGRAM

TO TEACH INNER CITY KIDS

SHAKESPEARE CALLED "HOMEBOY UPON

AVA"...

(LAUGHTER)

WHERE HE'D, YOU KNOW, TRANSLATE

THE WORKS OF SHAKESPEARE,

USING FLASH CARDS.

YOU KNOW, YOU DEFEND FROM

MATERNAL ILLS, YO MAMA.

(LAUGHTER)

YOUR MATERNAL LINEAGE, YO MAMA'S

MAMA.

EDIPUS, MOTHER (BLEEP)-ER.

(LAUGHTER AND APPLAUSE)

THEY DIDN'T GO FOR IT.

THEY DIDN'T LIKE THAT.

BUT LIVE PERFORMANCES ARE GREAT,

YOU KNOW?

AND I DID THE APOLLO THEATER,

WHICH IS IN HARLEM.

IF ANYBODY DOESN'T KNOW THAT,

APOLLO THEATER IN HARLEM.

(CHEERS AND APPLAUSE)

I GOT OFF THE TRAIN AT 125th

STREET.

PEOPLE THOUGHT I WAS LOST.

THEY WERE TRYING TO HELP ME BACK

ON THE TRAIN.

THEY'RE LIKE, "CONDUCTOR,

CONDUCTOR, STOP THE TRAIN!

YOU LEFT THE WHITE BOY ON THE

TRACKS, CONDUCTOR.

STOP THE TRAIN!

HE GOTTA GO TO CONNECTICUT,

DON'T YOU, BABY?

AND BUY MUTUAL FUNDS OR SOME--

SOMETHING LIKE THAT, DON'T YOU,

BABY?"

I GOT THERE AND THERE WAS NO WAY

I WAS GONNA DO--

THERE WAS NO WAY I WAS GONNA

COMEDY.

SO I DID WHAT EVERYBODY ELSE

THAT GOES TO THE APOLLO

AND ISN'T BLACK DOES.

I SANG MY LITTLE HEART OUT.

(LAUGHTER)

I DON'T KNOW WHAT HAPPENED.

I THINK I CHANNELED A

50-YEAR-OLD BLACK WOMAN OR

SOMETHING, BUT IT WENT WELL.

IT WENT WELL.

♪ "A... AMAZING

♪ GRACE!

♪ HOW SWEET THAT SOUNDED

♪ HOW SWEET THE SOUND

♪ YOU KNOW WHAT THEY DID?

♪ DON'T SAY A RAGE LIKE ME

♪ DIDN'T SAVE A YOU,

♪ DIDN'T SAVE A YOU,

♪ BUT DID A SAVE A ME

♪ 'CAUSE I ONCE...

(CHEERING)

THEY WERE OBVIOUSLY NOT

EXPECTING THAT.

THEY LOOKED AT ME--

THEY WERE PROBABLY EXPECTING ME

TO GO...

♪ AMAZING GRACE

♪ HOW SWEET IS THE SOUND

♪ I'M CAUCASIAN,

♪ I'M A WHITE BOY AND I SING.

(LAUGHTER)

MY NAME'S ANDREW KENNEDY.

WHAT'S UP?!

GOOD TO BE HERE ON THE COLLEGE

CAMPUS MAKING SOME MONEY!

DAMN RIGHT 'CAUSE THEY OWE ME.

I WENT TO COLLEGE.

I GOT RIPPED OFF.

WE GOT SOME COLLEGE STUDENTS

HERE TONIGHT?

(AUDIENCE SCREAMS)

DROP OUT!

I'M TELLING YOU, I GOT ONE THING

OUT OF COLLEGE, BAD CREDIT.

THAT WAS ALL I GOT, THEM STUDENT

LOANS, MAN!

I DIDN'T KNOW THEY WANTED YOU

TO PAY THAT BACK.

I THOUGHT THAT WAS ONLY IF YOU

GRADUATED.

AND THEY CALLED ME ALL THE TIME,

HARASSING ME, TRYING TO GET ME

TO PAY 'EM.

SO I SENT 'EM LIKE THREE CHECKS

TO GET THEM OFF MY BACK.

ALL OF 'EM BOUNCED.

(LAUGHTER)

ONE CHECK WAS FOR THE WHOLE

20,000 DOLLARS.

AND THEY CALL ME LIKE 11 O'CLOCK

EVERY MORNING AND I ANSWER

THE PHONE.

THEY HAVE TO KNOW THAT THAT'S

A PROBLEM.

(LAUGHTER)

PICK UP THE PHONE, I'M LIKE,

"LOOK, DUMB ASSES, OBVIOUS

I DON'T HAVE A JOB RIGHT NOW.

SO LEAVE ME ALONE.

I'M TRYING TO WATCH 'THE YOUNG

AND THE RESTLESS.'"

COLLEGE IS A BIG RIPOFF.

DROP OUT, MAN.

I'M 25,000 DOLLARS IN DEBT,

FOUR, FIVE, SIX AND-A-HALF

YEARS.

THEN YOU HAD TO PAY FOR YOUR OWN

BOOKS, 300 DOLLARS A SEMESTER.

BOUGHT MY BOOKS IN SEPTEMBER,

TOOK 'EM BACK IN DECEMBER AND

GOT BACK 8 DOLLARS AND 37 CENTS.

(LAUGHTER)

TO HELL, WHY DON'T YOU JUST TAKE

ME TO PRISON NOW AND GET THIS

OVER WITH?

AND THEN THEY GIVE YOU CREDIT

CARDS IN COLLEGE.

THEY JUST GIVE 'EM TO YA.

IT'S ALL PART OF THE PLAN,

PEOPLE.

THEY GAVE ME LIKE THREE CREDIT

CARDS WITH LIKE A THOUSAND

DOLLAR LIMIT EACH.

THEN THEY GOT MAD 'CAUSE

I COULDN'T PAY 'EM BACK.

I'M LIKE, "I THOUGHT WHEN I PUT

ON MY APPLICATION I MADE 18

DOLLARS A MONTH AS A INTERMERAL

REFEREE, I WOULD GET AN

EXTENSION.

DON'T GET MAD AT ME 'CAUSE

I WANTED SOME STEAK TO GO ALONG

WITH MY RAMEN NOODLES AND

KRAFT MACARONI & CHEESE."

(CHEERS AND APPLAUSE)

THAT'S WHY I DON'T EVEN GET

UPSET WHEN CREDITORS CALL ME UP.

BILL COLLECTORS CALL ME UP,

I JUST CONSIDER 'EM RACISTS,

NO MATTER HOW NICE THEY ARE.

THEY'LL BE LIKE, "LOOK,

MR. BOZEMAN,

YOU SAID YOU WERE GONNA PAY THIS

MONTH AND THE MONTH BEFORE THAT

AND THE PREVIOUS MONTH AND,

FRANKLY, YOUR CREDIT HISTORY--"

I'M LIKE, "WHAT?

DID YOU JUST CALL ME NIGGER?"

(LAUGHTER)

"NO, I SAID YOUR CREDIT

HISTORY."

"OH, IT SOUNDED LIKE NIGGER

TO ME.

(LAUGHTER CONTINUES)

I NEED TO SPEAK TO YOUR

MANAGER."

THAT WORKS FOR A LITTLE WHILE

TILL A BLACK GUY CALLS YOU UP.

SO I HAD A GIRLFRIEND IN

COLLEGE.

WE WERE IN LOVE.

SHE WAS WHITE, YEAH.

AND SHE WAS MAD WHEN WE WERE

IN COLLEGE 'CAUSE ALL I DID WAS

PLAY VIDEO GAMES, MAN.

AND THEY DIDN'T HAVE THE VIDEO

GAMES THEY HAD, YOU KNOW, NOW.

BACK IN THE DAY, THEY WAS WHACK.

THEY WAS ALWAYS BROKE.

YOU USED TO ALWAYS HAD TO WORK

YOUR MAGICAL POWERS JUST TO GET

THE GAME TO COME ON.

I USED TO ALWAYS TALK TRASH,

TOO.

I'D BE LIKE, "WHAT'S UP, DOC?

I GOT DOUBLE DRIBBLE RIGHT HERE.

YOU WANT SOME OF THIS?

I'M GONNA BUST YOUR ASS

HOLD UP."

(LAUGHTER AND APPLAUSE)

"I'M GONNA BUST YOUR ASS.

HOLD UP."

BLUE IN THE GAME TILL YOU

WAS BLUE IN THE FACE PLAYING THE

GAME LIKE YOU WAS PAPA SMURF.

THAT AIN'T RIGHT.

AND SHE WAS MAD AT ME 'CAUSE ALL

I DID WAS WATCH, UH, AUTO RACING

AND SPORTS ON TELEVISION.

I LOVE AUTO RACING.

BUT I THINK THEY NEED TO HAVE

SOME BROTHERS IN AUTO RACING,

ADD SOMETHING TO THE SPORT.

I'VE BEEN WATCHING A LITTLE

NASCAR ON SUNDAYS, SOME BLACK

PEOPLE ON THERE.

I'D BE LIKE, "OH, THIS IS A

GREAT RACE.

JEFF GORDON AND DALE JARRETT

ARE NECK TO NECK, BACK TO BACK,

LOOKS LIKE IT'S GONNA COME OUT

TO THE WIRE BETWEEN THOSE TWO.

BUT WAIT A MINUTE.

WHAT'S THAT NOISE?

♪ (RAP MUSIC PLAYS)

"YES, LADIES AND GENTLEMAN,

IT'S TYRONE...

(LAUGHTER)

TYRONE ABDULA JACKSON WHO IS

SPONSORED BY OLD ENGLISH 800

AND KOOL-AID...

(LAUGHTER CONTINUES)

HAS JUST TAKEN THE LEAD.

APPARENTLY, THE GLARE FROM HIS

HUBCAPS HAS BLINDED THE REST OF

THE DRIVERS.

ALL OF THIS ON TWO DOLLARS WORTH

OF GAS."

BUT I HAVE TO TELL YOU,

LADIES AND GENTLEMEN, I DID NOT

KNOW THAT A 1987 CHEVY IMPALA

COULD GO THAT FAST.

THANKS A LOT,

LADIES AND GENTLEMEN.

KEVIN BOZEMAN, PEACE OUT.

>> SUSAN: IN HONOR OF CIVIL

RIGHTS ACTIVIST AND COMEDIAN,

DICK GREGORY'S INAUSPICIOUS

BEGINNINGS AT SAN FRANCISCO'S

"HUNGRY EYE", I WILL NOW DO THIS

ROUTINE ON A STOOL.

>> AUDIENCE: WHOO!

>> SUSAN: ALL RIGHT, THEN.

HOW MANY POTHEADS DOES IT TAKE

TO SCREW IN A LIGHTBULB?

NONE.

YOU ALL USE CANDLES.

(LAUGHTER)

ALL RIGHT, THEN.

HOW MANY POTHEADS DOES IT TAKE

TO SCREW IN A LIGHTBULB?

WHO CARES?

YOU'RE ALL STONED.

(LAUGHTER)

BY A SHOW OF HANDS, HOW MANY OF

YOU SMOKE MARIJUANA?

CAN YOU GET ME SOME?

(LAUGHTER)

MY HUSBAND HAS THREATENED

TO LEAVE ME.

HE SAID I SPEND TOO MUCH TIME

WITH THE KIDS.

I SAID, "I'M A CLOWN, DAMN IT.

IT'S MY JOB.

STOP IT, JOLLY."

(LAUGHTER)

ALL RIGHT, THEN.

NOW IS THE TIME THAT I TRY TO

DEVELOP A RAPPORT WITH YOU,

THE AUDIENCE.

HELLO.

WHAT'S YOUR NAME?

OMAR?

NICE TO MEET YOU.

WHERE DO YOU LIVE?

DOWNEY?

DO YOU HAVE A COUCH IN DOWNEY?

THEY GAVE ME--

THEY GAVE JOLLY A SUITE.

I'M DOING THIS IN MY CAR.

I'M LIVING IN MY CAR.

ALL RIGHT, THEN.

JOLLY AND I ARE GOING TO NOW

DO A SCENE FOR YOU FROM "ROCKY."

I WILL BE PLAYING THE PART OF

APOLLO CREED.

I'M GONNA GET YOU, WHITEY.

(LAUGHTER)

I'M SO SORRY.

(LAUGHTER CONTINUES)

HARLAND?

HARLAND?

CAN I GO NOW?

>> HARLAND: YEAH, IT'S OKAY.

IT'S OKAY.

COME ON.

>> SUSAN: I KILLED, DIDN'T I?

>>HARLAND: YEAH.

YOU DID GREAT.

IT WAS ALL YOU.

IT WAS ALL YOU.

ARE YOU OKAY?

♪ (MUSIC PLAYS)

(CHEERS AND APPLAUSE)

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