Please welcome TIP Harris!
-♪ -(cheering, applause)
-Welcome to the show, sir.-Thank you for having me.
Welcome to the show. Thank youvery much for being here, man.
Thank you so much.A very successful show you have,
uh, you know, The Family Hustle.
-Um, I've always wantedto know one thing. -Mm-hmm.
When you're makinga reality show,
how normal are youactually being?
Do you forget that the camerasare there at some point?
I mean, we're doing things
that we would normally doas a family.
Um, the cameras just happento be there to-to catch it.
You know, there are some thingsthat we do that...
They aren't... It really isn'tentertaining, so the cameras...
You know,there's no need for that.
-Oh, so if you guys are, like,chilling... -Yeah. Yes.
-You know, thosenon-conversations. -Right.
Just sitting there in awkwardsilence, eating and watching TV.
Like, that's not reallyinteresting.
-I would watch that.-You would?
Yeah. I think they shouldmake a show of all...
just, like, the-the partsthat have been cut out
-of reality shows.-Yeah.
The cutting room floor.
The Eating Channel,and we just watch people...
We just watch people eat.
That was-that wasa fun clip as well,
because, uh, for people whodon't know this about you,
-you have, is it seven children?-Yes.
-Seven. I do.-Seven, seven children.
And so, that is...
I love the smile-- that's...
And so in-in that clip, uh,
that's-that's your daughter,Heiress.
-Yeah.-Who is, uh...
That's... I got to say,that's a, a slightly mean name
-Why do you say?-to give your daughter.
Because you call her Heiress,
and then the other six kidsare going,
"So, what are we?"
See, no, because I have, uh,
my oldest son is Messiah.
Uh, I have... my tw...
Which doesn't meanyou get the money, but carry on.
-My 12-year-old is King.-Uh-huh.
-Still no money, but carry on.-My eight-year-old is Major.
I think that Heiress,is, you know,
she-she hadpretty big shoes to fill
-as far as her namewas concerned, so... -Yeah.
-You've got a fantastic career.You know, -Thank you.
Grammys, uh, you know,hits all over the world.
Uh, and now you've come outwith a new album.
I saw the music video thatyou... that you just put out,
and, uh, it was...it was quite interesting.
Quite controversial as well.
You're not known to be es...
like, a particularlypolitical person.
-No.-You've always said your piece,
-but you're nota political person. -Right.
Why did you make the videothat you made?
Well, you know,it was almost, uh,
incoherent, uh, over the summer,
all of the travestiesthat took place in this country.
Uh, it kind of...
I-I felt compelledto say something, do something.
Uh, and-and just out of a lackof other things to do,
I just took to the studioand started speaking my mind.
-And it became a projectout of nowhere. -Yeah.
So, uh, I just really wantto create dialogue, man,
that will...that will promote change.
Well, we-we actuallygot the, uh... the video here.
-Let's-let's look at a pieceof the video. -Sure.
♪ Do that to a grown man,drop where you stand ♪
♪ Tell my grandmago on with all that prayin' ♪
♪ If it's God and hein the sky, he looking down ♪
♪ He understand I'm just a manand I'm wrong for revenge ♪
♪ But I don't get 'em, it's liketellin' him to gon' kill again ♪
♪ Keep ... around,it gon' be on in a minute ♪
♪ But we livin' in a war zone
♪ Guess you don't noticewhen you livin' in it ♪
♪ Like every weekendit's a man down ♪
♪ Ain't got no pity for theinnocent so I'm-a represent it ♪
♪ Dedicated, tell 'em
-♪ Hands up, can't breathe -♪ What, uh ♪
♪ Hands up, can't breathe...
Now, that's a-a pieceof, uh, "Warzone."
-Mm-hmm. -That's some strongimagery there because,
-basically, the whole videois... -Mm-hmm.
You have, uh, a black policeman
and you have,you know, a white kid
-being mistaken and being shot.-Mm-hmm.
You have a black policeman
and you have, uh, you know,
white people who are shot down
-or-or strangled in the streets.-S-Sure.
That's-that'sa powerful statement to make.
Is-is that the dialogueyou want people to have?
Well, absolutely.I wanted them to take notice.
As disturbingas these images may be,
uh, to watch on your television,
just rememberthese are fictional. You know?
These thingsactually happened to people.
These-these same events
took the lives of fathers, sons,
brothers, uncles, sisters.
Like, these thingsactually happened to us.
So as disturbingas it may be for you
to watch it on television,imagine how...
uh, how-how uncomfortable it is
for us to live through itin reality.
Now, there's-there's always atough question that gets thrown.
-I mean, I'm-I'ma huge hip-hop fan. -Okay.
And then you get peoplewho will say,
"I hear you guys sayingyou want justice.
"I hear, oh, hip-hop starsand fans saying
-"that this is not right.-Mm-hmm.
"But then, in hip-hop,people are talking about guns.
-"People are talkingabout shooting. -Sure.
People are saying things like,'(bleep) the police.'"
-Absolutely. -And they go,like, "How is this helping
the dialogue?"As a hip-hop artist,
-how do you reply to that?-Well, first of all, I think
that people need to takeinto consideration
that hip-hop, traditionally,has always been a reflection
of the environmentthe artist had to endure
before he made itto where he was.
So if you want to changethe content of the music,
change the environmentof the artist,
and he won't havesuch negative things to say.
(cheering and applause)
I can tell you,when I was asked that question,
I didn't have as eloquentan answer.
-I will now direct themto this video, man. -Right on.
Thank you so much for your time.Thank you for being here,
-brother. Really appreciate it.-I appreciate it.