Please welcome Wesley Lowery.
(cheering and applause)
-What's going on, buddy?-Good.
Welcome to the show.
Thanks for having me,I appreciate it.
First things first, uh,congratulations
on winning the Pulitzer Prize.
-Well, thank you.-That's a, that's an amazing
-Thank you a lot.-honor for you.
-I appreciate it.-(cheering and applause)
And, um, and deserved, as well.
You and your team put together
a really comprehensive databaseof police shootings.
What surprises me
is that one didn't existbefore that.
How is that possible?
It's remarkable, right?
When we started coveringthese stories,
I started covering themwith Ferguson, Missouri.
And you would havethe police unions,
the police, they would say,this never happens.
Most officers never firetheir guns, these are rare.
Everyone who gets killeddeserves it.
The civil rights activists,they would say,
no, black men are gettinggunned down, executed every day.
And so, finally, we were like,wait a second.
You know,there's a fact here somewhere.
-Yeah. -One of them is true,one is not.
How can we get at that?
At the time, there werea few citizen journalism outfits
that were trying to do this,but the federal government
doesn't keep this data.
And so we started piecingit together, day by day,
literally, via Google searches.
My colleagues, Julie Tateand Jennifer Jenkins,
kind of pieced this togetherto try to figure out
how many peoplewere getting killed,
and-and underwhat circumstances.
This has been happening
in black and brown communitiesfor the...
all of American history, right?
Black and brown familieshave always known, um,
that an interaction withthe police could go sideways.
But we as a nation,essentially, have refused
to believeblack and brown people
when they tell us these things.
And so what cell phone camerashave done is,
in many ways, they have exposedour unwillingness
to believe black peoplewhen they say,
"Hey, sometimes the copsaren't so nice to us.
"Sometimes they kill us,and we...
and we shouldn't be killed."And we see video after video,
story after story, where...
You-you have oneswhere they're a gray area.
Should this person have beenshot? Should they have not?
Others where the guy's clearlygetting shot in the back, right?
And before cell phone cameravideos, no one believed
those things ever happened."Every dead black guy
must deserve it,"they would say.
What's interestingabout this book, though, is
you've takena slightly different approach
to strict journalism,
-Mm-hmm. -and that isyou have involved yourself,
which has really personalizedthe stories,
not just of the victimsbut of you being in this world.
Because when you went outto Ferguson,
I don't thinkeven you anticipated,
from what I read in the book,
how big this movementwould become.
-I mean, at one point,you were arrested -Yeah.
for just being in the wrongplace at the wrong time.
Of course.I was one of dozens of reporters
who at some pointgot arrested in Ferguson.
It was fascinating, 'causewhen I first went to Ferguson,
-I was a political reporter.-Yeah.
I covered Congress,and I thought
that I'd be dropping infor a day,
I'd write a cute little storyor something.
Maybe I'd write somethingfor the weekend.
-And I thought I'd be homeby that weekend -Mm-hmm.
drinking with my buddies where,
you know,where we always go out.
And instead, um, I landed,and I could immediately sense...
Like you could feel itin the air
that this is something bigger,that this is...
this anger has reallyboiled over in a way
that it had not previously.
And we watchas we go from city to city,
as new activists spring upwho get involved,
new shootings occur,and you just have this feeling,
um, throughoutthese last two years
that this is something bigger,uh, than just one story,
than just an isolated incident,than just...
than just the storyof Michael Brown
or Eric Garner or Sandra Bland.
That, rather,this is part of a...
of movementthat is caramelizing.
Something fascinatingthat you wrote here that I'm...
I connected with.Yeah, I'll read the passage.
You said, "There's no right wayto approach these interviews.
"In moment,you are literally walking up
"to a heartbroken human,
"someone struggling to avoidbecoming completely engulfed
"by a wave of painand confusion,
"and asking them to find words
"to expressthose feelings and thoughts.
"And the 24-hournews cycle doesn't help,
"because it so often promptsreporters to ask either clichéd,
"leading, sound-bite,bait or process questions
"to which the response
of the dead man or family'swoman adds little."
Which is a really strongindictment,
because what you're saying is,essentially,
because the cycle is basedon entertainment,
24-hours news needs somethingthat is catchy and grabby.
You can't ask a personhow they feel.
You need it to fitin one sentence.
Of course. We-we are talkingabout the fundamental issue
at the basis of the foundationof this nation, right?
Race in America, race injustice.And we're walking up to you
after your son has just beenkilled, and we're saying,
"So, how do you feel?
So, do you thinkyou're gonna get justice?"
-Yeah. -Um, and thenwe're cutting you off
after 15 seconds to put youon the evening news, right?
Um, we're going to a protestwhere you've been marching
for five hours,you've been crying,
you've carried a sign,maybe you've flown into town,
um, to participate this...in this,
and we're giving you halfa sentence in the newspaper.
"So, why are youout here tonight?"
That's not a way to havea conversation about this.
You've really captured it,and, uh,
one reason I would recommendeveryone should read this book
is because it'snot just statistics,
it's not just the information,but it's the connective tissue
that shows the human storybehind it. I really enjoyed it.
-Thank you so much for beingon the show. -Thanks, Trevor.
-I appreciate it.-Appreciate it. -(cheering)